Note: I wrote some time in October during the semester I took LATN 504: Horace at Carolina. Poetic meters in English are typically qualitative. That is, they establish a rhythm by arranging syllables based on their quality (stressed or unstressed). They do this because stress accent is a primary characteristic of all English syllables. (Compare “hunger” and “afloat”; both are two syllable words, but they have opposite stress accent.) Classical Greek and Latin poetic meters by contract are typically quantitative. They establish a rhythm by arranging syllables based on their length in time–how long they take to say. They can do this because their long vowels literally take twice as long to say as their short ones. Because quantitative meter is time-based, it’s much more a proper, music-like rhythm than quantitative meter. Many poets have tried to replicate quantitative meter in English, but because there’s no true time-based distinction between our long and short syllables, it’s hard to do. This is in an Alcaic stanza. (DL, Dec. 10, 2022)

Boy, sound your hornsong clearly across the field.
Man, raise your swordblade high and your brilliant shield.
Fix fast your bright helms; fierce your might wield.
Stand in the breech for your homes and don’t yield.